Confused Daughter: But my undies are comfy.
Confused Daughter is a video that seduces you slowly. Then it takes you by the gonads, while whispering about the taboo that humanity craves. By the time it reaches its conclusion, you realize you’ve been staring into the cracked mirror of your own sexual desires.
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The film opens in the lazy intimacy of domestic space. A young woman saunters around in her panties. There’s no music, no preamble. Just the sound of a man’s voice behind the camera, chastising her for her indecency. It’s a familiar sleight-of-hand, turning the banal into the voyeuristic. Yet what makes this one linger is the dialogue’s strange honesty. The girl isn’t playing coy. She isn’t trying to seduce. She’s simply alive, defiant, and bored. But it’s her comfort in her own skin that offends the disembodied man who watches her.

Their banter is a duel between repression and rebellion. The cameraman insists her mother wouldn’t approve. She fires back that her mother isn’t there. It’s Eve arguing with God, unashamed of the apple. But as the conversation deepens, something dark begins to stir. Her provocations shift tone. She teases him, even asks if he’s aroused by her defiance. The man’s voice trembles with moral outrage. And with it’s quiver, we can hear the animal pulse of guilt and desire.
From there, the film descends into madness. She becomes physically aggressive. Is she punishing her dad for never having attempted to seduce her? Their struggle feels less like a fight and more like an exorcism. He demands a promise from her, never to tell her mother of their “relationship.” A pathetic plea from a sinner to his own hallucination.

Confused Daughter is a mirror held up to the puritanical soul. It’s not horror in the conventional sense—it’s psychological vivisection. It digs into the tension between sexuality, shame, and control. It’s brutal honesty that only the perverse can admire. The film strips away the veil of modesty and leaves us staring at the human condition. Exposed, half-naked, guilty, and begging for absolution.
It’s a short that feels longer than its runtime, not because it drags, but because it lingers. Like a dream you’re not sure you wanted, but can’t forget.